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Submissions from 2019

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How Sports Photography Tells a Story About who we are as a Nation, Siobhán Doyle

Submissions from 2018

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James Connolly's Bloodstained Vest: Mediating Death and Violence in Commemorative Exhibitions, Siobhán Doyle

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On the Exactitude of Big Data: La Bêtise and Artificial Intelligence, Noel Fitzpatrick and John D. Kelleher

Submissions from 2017

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The Question of Fiction – Nonexistent Objects, a Possible World Response From Paul Ricoeur, Noel Fitzpatrick

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How Things Grow: Gabriel Orozco’s Samurai Tree: Invariants (2005), Tim Stott

Submissions from 2016

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PIVOT Dublin: A Discussion on the Bid for Dublin to Become World Design Capital, Barry Sheehan and Ali Grehan

Submissions from 2015

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Criticality in Graphic Design, Clare Bell

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And Or Not – the system, the body and time, Brian Fay

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Preserving Born Digital Art : Lessons From Artists' Practice, Conor McGarrigle

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Knowledge Management: Collaboration versus Concentration in Open Plan Workspaces, John Walsh

Submissions from 2014

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Symbolic Misery and Aesthetics- Bernard Stiegler, Noel Fitzpatrick

Submissions from 2013

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Knowing Knowledge, Noel Fitzpatrick

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Augmented Resistance: the possibilities for AR and data driven art, Conor McGarrigle

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The Need for Close Looking, Tim Stott

Submissions from 2012

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Buttering up the British: Irish Exports and the Tourist Gaze, Mary Ann Bolger

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Word and Place in Irish Typography, Brian Dixon

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Can Design Thinking Have a Social Life Through Networking?, Brenda Duggan

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Reconsidering the Avant-Garde Through Ritual, Clodagh Emoe

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Motionless Monotony: New Nowheres in Irish Photography, Colin Graham

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Disassembly, Todd McLellen

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On Creativity, Kerry Meakin

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Declan Clarke’s Fantasies, Tim Stott

Submissions from 2011

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The Designer Who Started a Print Revolution. Remembering Steve Jobs., John O'Connor

Submissions from 2010

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Reappraising the Disappearing Body and the Disembodied Eye Through Multisensory Art, Maria Coleman

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Critique of Archival Reason: Research Report, Tim Stott