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Submissions from 2012

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User Assisted Separation Using Tensor Factorisations, Derry Fitzgerald

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Vocal Separation Using Nearest Neighbours and Median Filtering, Derry Fitzgerald

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On Inpainting the Adress Algorithm, Derry Fitzgerald and Dan Barry

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On the Use of Masking Filters in Sound Source Separation, Derry Fitzgerald and Rajesh Jaiswal

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Shifted NMF with Group Sparsity for Clustering NMF Basis Functions, Rajesh Jaiswal, Derry Fitzgerald, Eugene Coyle, and Scott Rickard

Submissions from 2011

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Upmixing from Mono : a Source Separation Approach, Derry Fitzgerald

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User Assisted Source Separation Using Non-negative Matrix Factorisation, Derry Fitzgerald

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Shifted NMF Using an Efficient Constant-Q Transform for Monaural Sound Source Separation, Derry Fitzgerald, Rajesh Jaiswal, Eugene Coyle, and Scott Rickard

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Clustering NMF Basis Functions Using Shifted NMF for Monaural Sound Source Separation, Rajesh Jaiswal, Derry Fitzgerald, Dan Barry, Eugene Coyle, and Scott Rickard

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Formative Assessment Practices in Built Environment Higher Education Programmes and the Enhancement of the Student Learning Experience, Lloyd Scott and Chrisopher Fortune

Submissions from 2010

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Harmonic/Percussive Separation Using Median Filtering, Derry Fitzgerald

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On the Use of a Dynamic Hybrid Tempo Detection Model for Beat Tracking, Mikel Gainza

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Interactive Music Archive Access System, Martin Gallagher, Derry Fitzgerald, Dan Barry, Matt Cranitch, and Eugene Coyle

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Interactive Music Archive Access System, Martin Gallagher, Mikel Gainza, Derry Fitzgerald, Dan Barry, Matt Cranitch, and Eugene Coyle

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Audio Thumbnail Generation of Irish Traditional Music, Cillian Kelly, Mikel Gainza, David Dorran, and Eugene Coyle

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Locating Tune Changes and Providing a Semantic Labelling of Sets of Irish Traditional Tunes, Cillian Kelly, Mikel Gainza, David Dorran, and Eugene Coyle

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Exploiting Glottal Formant Parameters for Glottal Inverse Filtering and Parameterization, Alan O Cinneide, David Dorran, Mikel Gainza, and Eugene Coyle

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On the Appearance of a Positive Real Pole in the Results of Glottal Closed Phase Linear Prediction, Alan O Cinneide, David Dorran, Mikel Gainza, and Eugene Coyle

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Towards a Method to Determine the Glottal Formant Parameters of Voiced Speech without Time-Domain Reference, Alan O Cinneide, David Dorran, Mikel Gainza, and Eugene Coyle

Submissions from 2009

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The CEECs’ Banking System: A Risk Study during the Global Financial Crisis, Bernadette Andreosso-O'Callaghan, Lucia Morales, and Valentina Tarkovska

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Localization Quality Assessment in Source Separation-Based Upmixing Algorithms, Dan Barry and Gavin Kearney

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The Annotation of Traditional Irish Dance Music using MATT2 and TANSEY, Bryan Duggan, Brendan O'Shea, Mikel Gainza, and Padraig Cunningham

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Musical Sound Source Separation using Extended Tensor Decompositions, Derry Fitzgerald

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On the use of the Beta Divergence for Musical Source Separation, Derry Fitzgerald, Matt Cranitch, and Eugene Coyle

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Using Tensor Factorisation Models to Separate Drums from Polyphonic Music, Derry Fitzgerald, Matt Cranitch, and Eugene Coyle

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Automatic Musical Meter Detection, Mikel Gainza

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Structural Segmentation of Irish Traditional Music using Chroma at Set Accented Tone Locations, Cillian Kelly, Mikel Gainza, David Dorran, and Eugene Coyle

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Evaluating Ground Truth for ADRess as a Preprocess for Automatic Musical Instrument Identification, Joseph McKay, Mikel Gainza, and Dan Barry

Submissions from 2008

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Time and Pitch Scale Modification: a Real-time Framework and Tutorial, Dan Barry, David Dorran, and Eugene Coyle

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Automatic Detection of Optimal Azimuth Widths for Sound Source Separation using Adress, Dan Barry, Derry Fitzgerald, Matt Cranitch, and Eugene Coyle

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Violin Sound Quality Detection, Jane Charles, Derry Fitzgerald, and Eugene Coyle

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Violin Timbre Space Features, Jane Charles, Derry Fitzgerald, and Eugene Coyle

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Musical Source Separation using Generalised Non-negative Tensor Factorisation Models, Eugene Coyle, Derry Fitzgerald, and Matt Cranitch

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A Real-time Framework for Video Time and Pitch Scale Modification, Ivan Damnjanovic, Dan Barry, David Dorran, and Josh Reiss

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Machine Annotation of Sets of Traditional Irish Dance Tunes, Bryan Duggan, Mikel Gainza, and Padraig Cunningham

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Structural Segmentation using Set Accented Tones, Cillian Kelly, Mikel Gainza, David Dorran, and Eugene Coyle

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Single Channel Sound Source Separation Combining Delay Estimation and the AdRess Algorithm, Mark Leddy, Dan Barry, David Dorran, and Eugene Coyle

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Linear Prediction: The Problem, its Solution and Application to Speech, Alan O'Cinneide, David Dorran, and Mikel Gainza

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Interacting with Large Music Collections: Towards the use of Environmental Metadata, Gordon Reynolds, Dan Barry, Ted Burke, and Eugene Coyle

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Pitch Tracking and Voiced/Unvoiced Detection in Noisy Environment using Optimat Sequence Estimation, Moshe Wasserblat, Mikel Gainza, David Dorran, and Yuval Domb

Submissions from 2007

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Music Structure Segmentation using the Azimugram in conjunction with Principal Component Analysis, Dan Barry, Mikel Gainza, and Eugene Coyle

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Key Signature Estimation, Matt Cranitch, Derry Fitzgerald, and Matthew Hart

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Blind Source Separation and Automatic Transcription of Music Using Tensor Decompositions, Derry Fitzgerald

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Resynthesis Methods for Sound Source Separation using Shifted Non-negative Factorisation Models, Derry Fitzgerald and Matt Cranitch

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Automatic Bar Line Segmentation, Mikel Gainza, Dan Barry, and Eugene Coyle

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Automating Ornamentation Transcription, Mikel Gainza and Eugene Coyle

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Time Signature Detection by Using a Multi Resolution Audio Similarity Matrix, Mikel Gainza and Eugene Coyle

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A Brief Introduction to Speech Synthesis and Voice Modification, Alan O'Cinneide, David Dorran, and Mikel Gainza

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Towards a Personal Automatic Music Playlist Generation Alogorithm: the need for Contextual Information, Gordon Reynolds, Dan Barry, Ted Burke, and Eugene Coyle

Submissions from 2006

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Sound Source Separation using Shifted Non-negative Tensor Factorisation, Eugene Coyle, Derry Fitzgerald, and Matt Cranitch

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A Comparison of Time-domain Time-scale Modification Algorithms, David Dorran, Robert Lawlor, and Eugene Coyle

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Shifted 2D Non-negative Tensor Factorisation, Derry Fitzgerald, Matt Cranitch, and Eugene Coyle

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Towards an Inverse Constant Q Transform, Derry Fitzgerald, Matt Cranitch, and Marcin T. Cychowski

Submissions from 2005

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Single Channel Source Separation using Short-time Independent Component Analysis, Dan Barry, Derry Fitzgerald, and Eugene Coyle

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Drum Source Separation using Percussive Feature Detection and Spectral Modulation, Dan Barry, Derry Fitzgerald, Eugene Coyle, and Robert Lawlor

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Comparison of Signal Reconstruction Methods for the Azimuth Discrimination and Resynthesis Algorithm, Dan Barry, Robert Lawlor, and Eugene Coyle

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Development of a Computer-Based Violin Teaching Aid: ViTool, Jane Charles, Derry Fitzgerald, and Eugene Coyle

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Audio Time-scale Modification using a Hybrid Time-frequency Domain Approach, David Dorran, Eugene Coyle, and Robert Lawlor

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Multi-channel Audio Time-scale Modification, David Dorran, Robert Lawlor, and Eugene Coyle

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Generalised Prior Subspace Analysis for Polyphonic Pitch Transcription, Derry Fitzgerald, Matt Cranitch, and Eugene Coyle

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Non-negative Tensor Factorisation for Sound Source Separation, Derry Fitzgerald, Matt Cranitch, and Eugene Coyle

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Shifted Non-negative Matrix Factorisation for Sound Source Separation, Derry Fitzgerald, Matt Cranitch, and Eugene Coyle

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Onset Detection using Comb Filters, Mikel Gainza, Bob Lawlor, and Eugene Coyle

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Multi Pitch Estimation by using IIR Comb Filters, Mikel Gainza, Robert Lawlor, and Eugene Coyle

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Onset Detection, Music Transcription and Ornament Detection for the the Traditional Irish Fiddle, Aileen Kelleher, Derry Fitzgerald, Eugene Coyle, Robert Lawlor, and Mikel Gainza

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Introducing PVSPITCH: a Pitch Tracking Opcode for Csound, Alan O Cinneide

Submissions from 2004

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Sound Source Separation: Azimuth Discrimination and Resynthesis, Dan Barry and Robert Lawlor

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Real-time Sound Source Separation: Azimuth Discrimination and Resynthesis, Dan Barry, Robert Lawlor, and Eugene Coyle

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An Efficient Phasiness Reduction Technique for Moderate Audio Time-scale Modification, David Dorran, Eugene Coyle, and Robert Lawlor

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Time-scale Modification of Music using a Synchronized Subband/Time-domain Approach, David Dorran and Robert Lawlor

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Towards a Computer Assisted Violin Teaching Aid, Derry Fitzgerald, Jane Charles, and Eugene Coyle

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Single Note Ornaments Transcription for the Irish Tin Whistle Based on Onset Detection, Mikel Gainza, Eugene Coyle, and Robert Lawlor

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Harmonic Sound Source Separation using FIR Comb Filters, Mikel Gainza, Robert Lawlor, and Eugene Coyle

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Onset Detection and Music Transcription for the Irish Tin Whistle, Mikel Gainza, Robert Lawlor, Eugene Coyle, and Aileen Kelleher

Submissions from 2003

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An Efficient Audio Time-scale Modification Algorithm for use in a Subband Implementation, David Dorran and Robert Lawlor

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Time Scale Modification of Music using a Subband Approach Based on the Bark Scale, David Dorran and Robert Lawlor

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High Auality Time-scale Modification of Speech using a Peak Alignment Overlap-add Alogroithm (PAOLA), David Dorran, Robert Lawlor, and Eugene Coyle

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Time-Scale Modification of Speech Using a Synchronised and Adaptive Overlap-add (SAOLA) Algorithm, David Dorran, Robert Lawlor, and Eugene Coyle

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Independent Subspace Analysis using Locally Linear Embedding, Derry Fitzgerald and Eugene Coyle

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Drum Transcription in the Presence of Pitched Instruments using Prior Subspace Analysis, Derry Fitzgerald, Robert Lawlor, and Eugene Coyle

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Drum Transcription using Automatic Grouping of Events and Prior Subspace Analysis, Derry Fitzgerald, Robert Lawlor, and Eugene Coyle

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Prior Subspace Analysis for Drum Transcription, Derry Fitzgerald, Robert Lawlor, and Eugene Coyle

Submissions from 2002

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Sub-band Independent Subspace Analysis for Drum Transcription, Derry Fitzgerald, Robert Lawlor, and Eugene Coyle