Document Type
Conference Paper
Rights
This item is available under a Creative Commons License for non-commercial use only
Disciplines
6.5 OTHER HUMANITIES
Abstract
The paper investigates the various narrative and cinematographic strategies employed in Pasolini's 'The Gospel According to St Matthew' (1964), Tarkovsy's 'Andrei Rublev' (1966) and Kieslowski's 'A Short Film about Love' (1988) to correct and undermine a decentred representation which is structured around power-informed centre-periphery relations. It discusses the issue of assumed centrality and modern alienation through instrumentalised, detached perception.
Recommended Citation
Harris, S.:There is no periphery: Globalising Culture and the Cinematographic Language of Cultural Mediation in Modern European Film. Language, Culture, Identity'Royal Irish Academy Symposium at Dublin City University, 2003.
Publication Details
Language, Culture, Identity'Royal Irish Academy Symposium at Dublin City University, 2003.