Submissions from 2017
Princess Grace Library Monaco – Thomas Moore, Drawing Room Entertainer or Rebel Songster?, Una Hunt
Submissions from 2016
‘The Irish Folly’: The Easter Rising: the Press; the People; the Politics., Michael Foley
Across Disciplinary and National Borders: a Pedagogical Tool for Re-use, Sandra Marques Pereira and Jim Roche
Submissions from 2015
An Assessment of the Accuracy of PPP in Remote Areas in Oman, Rashid Al Alawi and Audrey Martin
The Researcher's Challenge: Entertainment or Epistemology?, Clare Bell and Mary Ann Bolger
Submissions from 2014
Submissions from 2013
Lessons in Playing: A Current Work of Art as a Biopolitical Milieu, Tim Stott
Submissions from 2012
Stór mo Chroí: Bealaí Difriúlale Breathnú ar Repertoire in Amhránaíocht Dhúchasach na hÉireann, Antaine Ó Faracháin
Submissions from 2010
Woodwind Extension Through the Systematic Use of Microtonality and Electronic Manipulation of the Instrument, Seán Mac Erlaine
Submissions from 2009
Vocate: Auditory Interfaces for Location-based Services, Charlie Cullen and John Mcgee
SALERO: Semantic AudiovisuaL Entertainment Reusable Objects, Charlie Cullen, Georg Thallinger, and Gert Kienast
Emotional Speech Corpus Creation, Structure, Distribution and Re-Use, Brian Vaughan and Charlie Cullen
Submissions from 2006
Il y a l'Autre Dans le Je(u) : Le Monologue Chez Brian Friel, Noel Fitzpatrick